I like to think of myself as still a member of the Mobile
Public Library’s “Classics Revisited” book group even though I am no longer
able to attend the gatherings (time/date conflict). Because I think of myself as being on hiatus,
I’m planning to challenge myself to complete their 2016 reading list as one of
my New Year's resolutions. So here’s six months of my to-do list:
January-
The Sound and the Fury by William
Faulkner
February- The Wizard of Oz by L. Frank Baum
March- Flowers for Algernon by Daniel Keyes
April- The Casebook of Sherlock Holmes by Arthur Conan Doyle (12 short stories in all.)
May- The Great Gatsby by F. Scott Fitzgerald
June- Look Homeward, Angel by Thomas Wolfe
February- The Wizard of Oz by L. Frank Baum
March- Flowers for Algernon by Daniel Keyes
April- The Casebook of Sherlock Holmes by Arthur Conan Doyle (12 short stories in all.)
May- The Great Gatsby by F. Scott Fitzgerald
June- Look Homeward, Angel by Thomas Wolfe
The book I’m most fascinated by at this point is The Casebook of Sherlock Holmes. Not
only because it’s a classic, but also because it’s a collection of short stories.
For me, a true short story is “the” most difficult to write. I have, in a
How-To-Write file, a copy of Anne Lamott’s ABCDE formula for writing short
stories (Action, Background, Conflict, Development, and Ending).
Action — Start with something happening to draw the reader into the story.
Background — Provide context for readers to understand how the characters came to the current situation
Conflict — The characters must want something they don’t have and work to achieve it (sometimes against each other)
Development — Makes up 70-80% of the story describing the characters’ struggle to get what they want. Each time it appears they have the goal within reach, give them something more difficult to overcome until they reach the climax
Ending — What happens after they reach their goal. In a romance, the hero and heroine realize their “happily-ever-after”. In a mystery or thriller, all the loose ends are tied up. In a literary story, the ending is often ambiguous
So there you have it, laid out in black and white…the
formula for writing short stories. She makes it look easy, doesn’t she? So did Nic
Wallenda when he walked a tightrope across Niagara Falls.
I also have a tiny, silver empty picture frame to help me
keep my focus. In her book, Bird by Bird,* Lamott describes how she has a one-inch
picture frame on her desk. The little picture frame reminds her to focus on
just a small piece of the whole story. She says when a writer starts with a
small focus and then gradually widens it, the story will come together more
easily. (cj Sez: I keep trying.)
Crappy first drafts shouldn’t stop you from finishing your
story. I hope you keep working at it. You do, don’t you?
Okay, you-all guys keep on keeping on, and I’ll try to do
the same.
cj
cjpetterson@gmail.com
PS: The stories in CHOOSING
CARTER and DEADLY STAR could have been gleaned from today’s headlines, but as
Oscar Wilde said:
“The good ended happily, and the bad unhappily. That
is what Fiction means.”
*Bird by Bird: Some Instructions on Writing and Life, by Anne
Lamott
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