cj Sez: The following format for a romance novel is a
composite of information I’ve gleaned from various sources over the years.
A likable heroine
This character can’t
be weak or dumb and must be actively involved in the plot. There will, and
should, be some moments of angst in the story, but they should be fleeting. You
want your reader to root for the lady rather than think she deserves what she
gets because she’s too dumb to win.
A likable hero
This guy should be
strong (even if only emotionally), irresistible, smart, and actively involved.
He does not have to be stereotypically handsome to be appealing. A well-developed
personality can carry him into your readers’ hearts.
Emotional tension
What’s keeping your
heroine/hero apart? What threatens her/him? Making these decisions early on
helps keep the plot on track.
A believable plot
A twist on an oldie
will work. According to some studies, there are only six (or maybe eight)
possible plots in all of literature. Ergo every “new” story might today be
called a trope. Example: Cinderella can be construed as a variation of the
Biblical story of Esther, who was an orphan being raised by her uncle and who
so charmed a king that he crowned her his queen. Julie Roberts was Cinderella
in “Pretty Woman” as was Melanie Griffith in “Working Girl.” Star-crossed
lovers, ala Romeo and Juliet, abound.
It’s your unique “voice” that’s important
in relating your take (spin, twist) on the familiar story.
A Happily Ever After
ending
A HEA is an
absolute necessity for a romance novel. Love stories do not have to end
happily, but romance stories, in all its subgenres, must have a happily ever
after or at least the promise of one.
Three of those
points are romance-writing specific, but it’s my belief that at least two of
them—emotional tension and believable plot—can be broadly applied to all
genres. Even a memoir needs a bit of tension and a plot to make it an appealing
read. But you can help me out here. As a reader and a writer, can you think of
a genre that wouldn’t use those two points.
By the way, there
is no “magic formula” for writing a novel in any genre, but with a lot of reading,
analysis, and/or luck you might find a format to follow, kind of like Anne
Lamott’s ABCDE formula for short stories (Action, Background, Conflict,
Development, and Ending).
§§
Writerly/Readerly quote:
“The historian will tell you what happened. The novelist
will tell you what it felt like.” —E.
L. Doctorow
§§
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§§
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§§
That’s it for
today’s post. You-all guys keep on keeping on, and I’ll try to do the same. Stay
safe, hear?
cj
P.S. TO ORDER any book of your choice on-line and support an indie bookstore, contact The Haunted Bookshop here: https://www.thehauntedbookshopmobile.com/contact-us
If you’d like me to autograph or personalize one of my books for you, be sure to tell them, and I’ll run by the shop.
The Haunted Bookshop has re-opened to limited hours (and they have an awesome bookstore kitty, Mr. Bingley), so if you’re in the Mobile area, you can stop and shop, too.
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