Guest Post

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Sunday, May 26, 2024

Memorial Day and Is that active or passive voice?

cj Sez: I wish you safe and enjoyable Memorial Day festivities, but please take time to remember that the day was set aside to commemorate the men and women who died while serving in the United States Armed Forces. 



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Active vs inactive voice.
(The following are excerpts from an older blog by a prolific author and fellow Sisters-in-Crime member.)

IN DEFENSE OF THE MALIGNED “WAS”
By Lois Winston

  It happened again the other day. I received the results of a contest I had entered and discovered that one of the judges had circled every “was” in the entry and wrote in large capital letters -- PASSIVE VOICE.

  Editors like action verbs. “Was,” along with its brothers and sisters (is, am, are, been, were) is passive and a surefire way to a rejection letter.

Wrong!

  Passive voice is when an action is acted upon the subject, rather than the subject acting.

   The car was driven by Anna is a passive sentence. Anna drove the car is an active sentence. However, Anna was happy to drive the car is not a passive sentence. Anna is expressing emotion. She is acting, rather than being acted upon. Of course, there are more interesting ways to write the sentence to show Anna’s emotions, but that’s a separate discussion.
  
  One of the easiest ways to tell whether your sentence is active or passive is to analyze the position of the subject, verb, and direct object.

  In active voice, the subject (the one performing the action) will come before the verb (the action), and the verb will come before the direct object (that which is being acted upon.)

  There are instances, though, when passive voice is necessary to the unfolding of a story or better suited to the realism of the dialogue. When we speak, we don’t first think whether our sentences are active or passive before uttering them. We just speak them.

  Manipulate a sentence to avoid passive voice in conversation, and you often transform snappy dialogue into stilted dialogue.

  For example: Billy ran into the house and cried, “Mom! Come quick. Snoopy was hit by a car!” This passage accurately illustrates the way a child might respond to a car hitting his dog. Snoopy was hit by a car is a passive sentence because Snoopy is being acted upon by the car, but the child mentions Snoopy first because the dog’s welfare is uppermost in his mind. Also, by placing the last sentence in passive voice, the author is actually ratcheting up the tension. We don’t know until the very end exactly what hit Snoopy. A stray baseball? A nasty neighbor? A falling tree limb? Although “A car hit Snoopy” is active voice, using it actually lessens the impact of the sentence.

  Still squeamish about the use of “was”? After you have finished your manuscript, do a search of the word. Check each sentence to see if you can rewrite it to avoid using “was.” If you can, and it doesn’t detract from the pace, dialogue, or meaning of the passage, do so. If not, leave it. Some “was” were meant to be.

Except . . . the subjunctive:

  The what, you ask? Subjunctive case or mood is one of the most misunderstood rules in the English language -- and virtually unknown to most contest judges who will circle a “were” and write in a “was” because the subject is singular.
Do you know how fast you were going?

  The subjunctive applies to cases of “wishfulness” or “what if” situations.

   In these cases, “was” becomes “were,” as in, I wish I were taller. “Were” is also used when a sentence or clause uses “if,” “as if,” or “as though,” but only in instances where the statement is contrary to fact.

  Examples include: If I were taller, I could see the stage better, Her twelve-year-old son acts as if he were in kindergarten, or The maid behaved as though she were queen. Because I cannot grow taller, the twelve-year-old is not in kindergarten, and the maid is not a queen, all the statements are contrary to fact, and “was” becomes “were” even though the subjects are all singular.

Keep in mind, though, that the key statement here is “contrary to fact.”

  “If” statements that are not contrary to fact retain the singular form of the verb. “If I was at Starbucks that day, I don’t remember” is a correct sentence because the statement is not contrary to fact whether or not I can recall the event.
///
(cj Sez: I keep a list of the quirks and twists that I run across, like the stink, stank, stunk. Do you keep a list, or do you run to Google?)

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WRITERS: Whether it’s your first time writing a novel or just need a reminder, here’s some info on word counts for different genres;  How Many Words in a Novel? (Updated for 2024) (reedsy.com)
 
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  Okay, that’s it for today. You-all guys keep on keeping on, and I’ll try to do the same. Raising prayers for a happy and safe you and yours.

cj

Now some words from my sponsors:
  Beach? Mountains? StayCay? It’s time to plan for those holiday and summer vacation downtime moments when you can lose yourself in a book. THE DAWGSTAR and DEATH ON THE YAMPA are available on Amazon or through your favorite eTailer and bookstore.


Got a library card? You can read the ebooks free from Hoopla.

  Nota bene: Angela Trigg, the RITA Award-winning author and owner of The Haunted Book Shop has a few signed copies of my paperback books in stock. TO ORDER, contact: https://www.thehauntedbookshopmobile.com/contact-us 

➜ Follow me on        
➜ Amazon:    Amazon Central Author Page
 Goodreads: https://bit.ly/3fcN3h6

Monday, May 20, 2024

Chapter synopses

 cj Sez: I retrieved this post from my archives because I’m thinking about writing a synopsis for my work-in-progress. Yep, that’s right: in progress. 


  I read a comment that it might be easier to create that dreaded synopsis as you finish a chapter or two rather than wait until you type THE END.

  Clever idea. Write a chapter synopsis while each plot point is fresh in my mind and then I can pull it all together when the story is ended. It’s always easier for me to edit than it is to stare at an empty page and try to think of something.  Anyway, in this post, I’m going to reprise some points I've discovered about writing a synopsis.

  Since I don’t do a formal outline for my stories (gasp), I can use the synopsis as a form of outline. It will help me find any holes in my storyline. 

  Someone asked me once how I knew when I’d reached the end of my story if I didn’t know where it was going. The reason I don’t outline is because once I’ve gone through that whole process, I feel as if I’ve written the entire story. That takes away the adventure of writing for me, except in writing mysteries when I really have to plan it all out. 

  I don’t consider myself a “pantser” though. I do know how I want the story to start, and I do know how I want it to end. What I don’t know (or plan/plot) is the path the characters will take to get from beginning to end. Using that analogy, I call myself a “pathfinder.” 

  I like the excitement of finding out—as I write—what kind of trouble I can create for my characters then figure out how to get them out of it. Kind of like running a maze. I write until I've solved all the characters' problems and gotten them out of their maze, then I'm done. The End.

  I’ve talked with writers who say they have absolutely no problem creating a synopsis. Not so me. I would love to find the one I safely filed away a couple of years ago, but I do remember some of the important rules. 

  As I’ve said before, some rules are made to be broken, but first one must know what the rules are. I wouldn’t, however, advise a novice writer to break any rules when submitting a manuscript, especially if the instructions are spelled out on an agent’s or publisher’s website. And always, always use the agent/publisher instructions for font and page layout format whether for story submission or a proposal or a synopsis. 

  After typing the end to my WIP, I will tie my chapter synopses into a final form, applying the following rules (or better, "cues"):

Write the synopsis in third person, present tense. 

  Since my stories are written in past tense, I need to keep that directive on a piece of paper taped to the monitor in front of me.

Start with a hook (the character or the inciting incident) and reveal the story premise.

  I think of this as my “elevator pitch”the twenty-five words and amount of time a writer has to impress an agent if caught on the elevator together.

Concentrate on the primary story line, the turning points, and their effect (internal and external) on the characters and do this in the chronological order of the story.

  This is where writing a synopsis for each chapter is very helpful.

Include primary characters by name. Use all capital letters the first time s/he is introduced within the synopsis. Then be consistent with how the character is referred to in the rest of the document.

  For example, JOHN DOE might become Johnny for the remainder of the synopsis. Secondary characters can be described by what they do rather than by name . . . the sheriff, the teacher, the doctor.

It’s very important is to show the complete narrative arc for the primary character.

  How s/he felt at the beginning of the manuscript and how the character is changed by the end of the story.

Write in active voice. Use strong verbs and words that show emotions, motivations, conflict, and tension. 

Don’t go into lengthy descriptions and backstory in a synopsis.

Unless a character’s physical description or age is pertinent to one of the story threads, keep focused on the nitty-gritty of the main story line.

The synopsis should be written in the same tone (voice) as the novel.

  I.E. if the novel is lighthearted, the synopsis should be also. 

  It looks soooo simple, doesn’t it? One, two, three, et al., and done. Not so fast, Grasshopper.*

  Just like every other writer who’s typed THE END on the last page of their novel, I’ll be trying to cram thousands of words and hundreds of pages of manuscript into a concise document that is sometimes restricted to maybe four or five pages. Though I have read that some might peak at eighteen pages, depending on who’s asking for the synopsis.
(*The student character in the 1970s TV show “Kung Fu.”)

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  Okay, that’s it for today. You-all guys keep on keeping on, and I’ll try to do the same. Raising prayers for a happy and safe you and yours.

cj

Now some words from my sponsors:

  Beach? Mountains? StayCay? It’s time to plan for those holiday and summer vacation downtime moments when you can lose yourself in a book. My novels, THE DAWGSTAR and DEATH ON THE YAMPA are available on Amazon or through your favorite eTailer and bookstore.


Got a library card? You can read the ebooks free from Hoopla. 

  Nota bene: Angela Trigg, the RITA Award-winning author and owner of The Haunted Book Shop has a few signed copies of my paperback books in stock. TO ORDER, contact: https://www.thehauntedbookshopmobile.com/contact-us 

➜ Follow me on        
➜ Amazon:    Amazon Central Author Page
➜ Goodreads: https://bit.ly/3fcN3h6

Sunday, May 12, 2024

Mother's Day

cj Sez: To all the moms and moms-to-be out there:


  And to all those who’ve lost their moms, I share your loss.   

  Numbers 6:24-26  “The LORD bless you and keep you; the LORD make his face shine upon you and be gracious to you; the LORD turn his face toward you and give you peace.”
 
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  Author and book coach Susanne Dunlap calls them complications. I call them plot points and find them fun to write. 

  Putting a complication/plot point at the end of every chapter is a sure way to tempt the reader to keep turning the pages.

  You can read Susanne Dunlap's thoughts here: 
   Embrace Complication to Develop a Can’t-Put-It-Down Narrative | Jane Friedman
 

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On the personal front

  This is one of the day lilies living under a pecan tree in the front yard. Son Jeff took the photograph and enlarged a copy to the fill-the-frame Georgia O’Keeffe size, which I absolutely love. 


  He also gave me a beautiful bouquet of flowers for Mother’s Day. Love, love, love that man. 

§§
 
  Okay, that’s it for today. You-all guys keep on keeping on, and I’ll try to do the same. Raising prayers for a happy and safe you and yours.
 
cj
 
Now some words from my sponsors:
 
  Beach? Mountains? StayCay? It’s time to plan for those holiday and summer vacation downtime moments when you can lose yourself in a book. My novels, THE DAWGSTAR and DEATH ON THE YAMPA are available on Amazon or through your favorite eTailer and bookstore.


  Got a library card? You can read the ebooks free from Hoopla.
 
  Nota bene: Angela Trigg, the RITA Award-winning author and owner of The Haunted Book Shop has a few signed copies of my paperback books in stock. TO ORDER, contact: https://www.thehauntedbookshopmobile.com/contact-us 
 
➜ Follow me on        
➜ Amazon:    Amazon Central Author Page
➜ Facebook:  https://www.facebook.com/CjPettersonAuthor
➜ BookBub:   https://www.bookbub.com/authors/cj-petterson
➜ Goodreads: https://bit.ly/3fcN3h6
 
 

Sunday, May 5, 2024

Those three dots . . .



  Do you know the difference between ellipsis and ellipses? From Fiction University comes this post on "How to Use an Ellipsis in Writing (Without Overusing It.)" 

  “Sometimes informally referred to as “those three dots,” Merriam-Webster officially defines ellipses as “marks or a mark (such as … ) indicating an omission (as of words) or a pause.”

  In Latin and Greek, “ellipsis” means to fall short or leave out—an omission. At its core, that’s exactly how it’s used in grammar, to indicate words have been omitted or left out.”

  Read the entire post here:    How to Use Ellipsis

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Passing along more information

  The following two links will take you to some good stuff. I found the info in these posts on Jane Friedman’s blog very helpful and interesting. 

  I think the first one is especially important for new authors navigating the shark-filled waters of the publishing industry.



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On the personal front

  I recently read the gothic novel, “The Secret Garden” by Frances Hodgson Burnett as part of a Facebook gothic group seasonal read and discussion. I got a bit confused by the structure of the story, but I am ready to participate in a Facebook discussion on the novel.


   I made it to the finish line for one of my short story deadlines (haven’t heard yet if it was accepted. Fingers crossed) and gave up on another. 

  I was way too distracted by real life to get my mind around a fictional life, which means my work-in-progress is on the back burner again.

§§
  
  Okay, that’s it for today. You-all guys keep on keeping on, and I’ll try to do the same. Raising prayers for a happy and safe you and yours.

cj

Now some words from my sponsors:

  
  Beach? Mountains? StayCay? It’s time to plan for those holiday and summer vacation downtime moments when you can lose yourself in a book. My novels, THE DAWGSTAR and DEATH ON THE YAMPA are fast-paced, thriller/suspense stories with sassy banter and a touch of Jane Bond romance. 

  The books are available on Amazon or through your favorite eTailer and bookstore. Got a library card? You can read the ebooks free from Hoopla.

  Nota bene: Angela Trigg, the RITA Award-winning author and owner of The Haunted Book Shop has a few signed copies of my paperback books in stock. TO ORDER, contact: https://www.thehauntedbookshopmobile.com/contact-us 

➜ Follow me on  
➜ Amazon:    Amazon Central Author Page
➜ Goodreads: https://bit.ly/3fcN3h6